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How Do You Know How It Feels

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2001 single by Madonna

2001 single by Madonna

"What It Feels Similar for a Daughter"
Madonna wearing a white top with her tongue out to the camera. The photo is within a circular frame on top of which artist and song name is written in bold capital font.
Unmarried by Madonna
from the album Music
B-side "Lo Que Siente la Mujer"
Released April sixteen, 2001 (2001-04-xvi)
Studio Sarm West (London)
Genre
  • Electronica
  • synth-pop
  • glitch pop
Length 4:43
Label
  • Maverick
  • Warner Bros.
Songwriter(s)
  • Madonna
  • Guy Sigsworth
  • David Torn
Producer(s)
  • Madonna
  • Guy Sigsworth
  • Mark "Spike" Stent
Madonna singles chronology
"Don't Tell Me"
(2000) 		"What It Feels Like for a Girl"
(2001) 		"Die Some other Day"
(2002)
Music video
"What It Feels Similar for a Girl" on YouTube

"What It Feels Like for a Girl" is a song recorded by American vocaliser Madonna for her eighth studio album Music (2000). It was released as the third and concluding single from the anthology on April xvi, 2001, by Maverick Records. Madonna and Guy Sigsworth wrote and produced the song with David Torn as co-author, and Marking "Spike" Stent as a co-producer. "What Information technology Feels Like For a Girl" is a mid-tempo electronic and synth-pop song, with filtered bass licks, tidal keys and pads as part of its instrumentation. Lyrically, it conveys lodge's double standard toward women, addressing hurtful myths about female inferiority. To emphasize the message, the song opens with a spoken discussion sample by actress Charlotte Gainsbourg from the 1993 British film The Cement Garden. A Spanish version of the track, "Lo Que Siente la Mujer", was translated by Alberto Ferreras and included in the Latin American edition of Music.

The vocal received acclaim from most music critics, who declared it every bit a highlight from the anthology, while also remarking information technology every bit one of the nigh mature musical ventures of Madonna's career. Commercially, "What Information technology Feels Like for a Girl" reached the pinnacle-10 of the tape charts in Australia, Canada, Kingdom of denmark, Finland, Romania, Spain, Scotland and the Britain. In the Usa, it peaked at number 23 on the Billboard Hot 100 and number-1 on the Dance Club Songs chart.

An accompanying music video for the vocal was directed by Madonna'due south then-husband Guy Ritchie and premiered on March 22, 2001. It features the singer as a reckless woman on a crime spree. The video was criticized for its depiction of violence and abuse, which caused MTV to ban it before 9:00 pm. The unmarried was also released on DVD and became the highest weekly sales for a DVD release in the U.s.. Madonna performed the runway on the promotional concerts for Music in Nov 2000 and on her 2001 Drowned World Bout, where a remixed version was used as a video interlude and as well performed in Castilian. The song was covered by the actors of television series Glee, during the episode "The Ability of Madonna", and was included in the accompanying EP.

Groundwork and development [edit]

Guy Sigsworth holding a white tea-cup in his right hand and smiling down.

Guy Sigsworth (pictured in 2007), one of the main producers of "What It Feels Like for a Girl".

After the critical and commercial success of her 7th studio album, Ray of Calorie-free (1998), Madonna had intended to embark on a concert tour in September 1999, but the bout was cancelled due to the delay of her film The Next Best Thing (2000).[1] She released one-off singles like "Cute Stranger" (1999) and a encompass of Don McLean's "American Pie" (2000).[ii] [3] [4] The singer also became meaning with her son Rocco, from her relationship with director Guy Ritchie.[five] Wanting to distract herself from the media frenzy, Madonna concentrated on the development of her 8th studio album, Music.[half dozen]

In April 2000, it was appear that French musician Mirwais Ahmadzaï was creating a melding of dance and pop songs with a disco feel for the anthology.[7] Later, it was also announced that she enlisted Guy Sigsworth to piece of work with her on the anthology.[8] The singer had followed Sigsworth'due south work, admired his love of understated engineering science in music, and contacted him for adding an ambience experience to her tape. Madonna played him the rough demo tracks developed for Music, including the songs created with Ahmadzaï.[9] The idea for "What Information technology Feels Similar for a Girl" came to Madonna when she was halfway through her pregnancy and was trying to keep the media from finding out.[ten] Sigsworth sent her a demo backing track containing a sample from the 1993 British moving-picture show The Cement Garden, directed by Andrew Birkin, in which the voice of actress Charlotte Gainsbourg speaks softly, "Girls can clothing jeans and cut their pilus short, wear shirts and boots. 'Cause it'due south OK to be a boy. But for a boy to look like a daughter is degrading. 'Cause you lot remember that being a daughter is degrading. But secretly you'd dear to know what it's similar... Wouldn't yous? What information technology feels like for a girl".[9] [11]

Madonna listened to the phrase uttered by Gainsbourg and started writing the song and the melody, resulting in "What Information technology Feels Like for a Girl", a rails described by her every bit a complaint about the politics of sexes.[9] She was going through some emotional turmoil due to living on a dissimilar continent than her hubby Guy Ritchie.[10] Due to her pregnancy she decided to move to England to be close to him. "Being the girl, I made the first compromise. It'southward that extra matter that [women] have. I don't think that we're better than men, but I believe there's an actress accommodating chromosome", she told Interview 's Ingrid Sischy.[10] Madonna reflected on how her generation of women had been encouraged to be independent, be educated and accept over whatever opportunity life bestowed upon them. But she had realized that being a smart and accomplished adult female can come beyond equally threat to men, thereby making them a prey. Madonna questioned, "Why didn't somebody tell me? Why didn't somebody warn me?' And that's also what that vocal is most—swallowing that bitter pill... It was a combination of that, and also just feeling incredibly vulnerable that inspired the vocal."[11]

Recording and composition [edit]

A recording console inside a studio.

Sigsworth demo track was the second of two sketches presented to Madonna, and she chose the ane with the sample from The Cement Garden. Information technology was virtually finished but was still kept unpolished so that the singer could go along writing on top of information technology.[12] He recorded the track at Sarm West Studios rather than his own studio since he did non want to "fuck upwardly" working with Madonna.[ix] The song was finished rapidly and within four days they were able to create the concluding version. From the first day onward Madonna and Sigsworth decided to keep all the musical noises from the demo. So the producer had to find a manner to reposition Madonna'southward vocals around the segments, utilizing Pro Tools on a SSL 9000 J console.[12] [13] Madonna insisted Sigsworth to give her a rough approximate sound, rather than piece of work on the music for two-three hours. That fashion they would know if it can exist kept or rejected and salvage fourth dimension on production. During recording, Sigsworth noticed that the verses were out of sync with the music and wanted to add together extra bar which would help them be coherent. Withal Madonna dismissed it, and he had to cut up the private music to put it in his estimator for accompanying her vocals. Sigsworth thought information technology fabricated the song sound more "fluid and magical" and commended Madonna for non taking the cop-out solution.[9]

"What Information technology Feels Similar for a Girl" is an electronic,[fourteen] synth-pop[fifteen] and glitch popular[16] semi-carol.[17] Madonna and Sigsworth were listed as songwriters and producers on the track with additional product by Mark "Fasten" Stent.[18] American guitarist David Torn was credited equally an boosted songwriter after Madonna found out Sigsworth had sampled from Torn'south 1987 anthology, Cloud About Mercury.[nineteen] Stent recorded "What Information technology Feels Similar for a Girl" using a Sony 3348 HR and a BASF 931 tape. He mixed information technology at London's Olympic Studios using SSL Thousand Series Quantegy magnetic tapes. Tim Young mastered the track at Metropolis Studio at Westminster, London.[13]

According to the canvas music published by Musicnotes.com, the vocal is set in common fourth dimension, with a tempo of 104 beats per minutes. It'due south set in the key of Due east ♭ major, with Madonna's vocals spanning from the lower octave of Thouiii to the higher note of B ♭ 4. The vocal has a sequence of D ♭ maj9–Eastward ♭ –E ♭ /F–A ♭ during the verses and F9sus4–A ♭ –D ♭ maj9–Eastward ♭ during the chorus as its chord progression.[20] The rail begins with Gainsbourg's monologue which is followed past pulsate sounds, a rhythm section supported by string pads, and the chord sequence which highlights the tune.[21] Madonna sings over a synth line the first verse, "Silky polish lips as sugariness as candy, infant/Tight blue jeans, pare that shows in patches" in a mellow and feminine tone, which is driven by a "cool trounce" and filtered bass licks.[11] [22] The ambient production has a number of sounds floating in-and-out of the track, long echos and vocals being pulled back.[21]

Equally the pre-chorus ends, the drums are pulled out and added immediately the chorus starts, washed over by tidal keys and pads, and Madonna asking the question, "Practice you know what it feels like for a girl?".[21] [22] Phil Dellio from The Village Voice noticed the presence of "gossamer-like" synthesizer in the background, while author Rikky Rooksby highlighted the equalized bass guitar in the center of the production.[21] [23] Another characteristic Sigsworth feature is the sound of a CD player "skipping" during the vocal.[12] A Spanish version of the track, titled "Lo Que Siente la Mujer" (English language: What a Woman Feels), was translated by Alberto Ferreras and included equally the B-side of the The states CD maxi single release, equally well as on the bonus disc of the 2001 Special Tour edition of Music and as a bonus track on the Mexican and Latin American editions.[24] [25] [26] Stan Hawkins, author of Disquisitional Musicological Reflections, felt that by switching "girl" to "woman" in the Spanish version, Madonna had "upgraded" its nature.[27] Lyrically, "What It Feels Like for a Daughter" condemns male chauvinism past addressing hurtful myths about female inferiority and female person office-playing in guild, with the singer inviting men to imagine themselves as girls.[11]

Release and remixes [edit]

Three men in black suit standing, with the middle one bending down and laughing to his right.

English grouping Above & Across (pictured in 2011) created 1 of the official remixes of the song

"What It Feels Like for a Girl" was initially planned to be the album's second single, but "Don't Tell Me" was chosen instead.[8] The song was eventually released every bit the album'southward third single on April 17, 2001.[28] Upon release, several remixes were commissioned, created past Higher up & Beyond, Victor Calderone, Richard "Humpty" Vission, Paul Oakenfold and Tracy Young.[29] The "Velvet Masta Mix", created by Richard Vission, gave the song a bass-heavy intro and a funkier groove.[17] Vission recalled that Madonna had turned downwardly his starting time mix and asked him to redo it again.[30] Calderone'due south "Dark Side Mix" was more mellow, relying more on percussions while Tracy Young's mix included stringed harp instrumentation. AllMusic'south Jose F. Promis praised in detail the Oakenfold version for "transforming the song into a massive, deep arena order stomper".[17] The Above & Beyond remix, which was used for the music video, features "hard and rhythmic" pumping beats and removed Madonna's verses, leaving simply the chorus and repeating the Charlotte Gainsbourg sample several times in the middle.[11]

Product duo Thunderpuss was hired to do an official remix of "What It Feels Like for a Girl". Yet, when they were nigh finished, an unofficial remix, credited as "The Thunderpuss Mix", leaked on the internet. During an interview with About.com, Barry Harris from the group recalled that they had been working on the remix and were waiting for it to exist approved when they received a telephone call from Warner Bros. Records, informing them that the remix was circulating in the internet. Both Chris Cox and Harris tried to find out the issue and concluded that someone had retitled the original with their group's name and released information technology. Thunderpuss tried to convince the tape characterization executives merely failed and the remix was canceled.[31]

On April 16, 2021, Madonna released the "What It Feels Similar for a Girl" EP to all digital and streaming outlets, jubilant the single's twentieth ceremony.[32] [33]

Disquisitional reception [edit]

Lucy O'Brien looking to the front.

Upon release, the song received general acclamation from music critics. Rikky Rooksby wrote in his book, The Complete Guide to the Music of Madonna (2004), that "What It Feels Like for a Daughter" was the best track on Music.[21] Author Lucy O'Brien described the vocal as having a "beautifully executed sense of anger" in her 2007 biography, Madonna: Like an Icon. Likening it to Madonna's 1989 unmarried "Express Yourself", O'Brien called it a "femme-pop" song.[nine] AllMusic'due south Stephen Thomas Erlewine picked it equally one of the album'due south highlights, calling it a "terrific midtempo cutting".[34] Slant 'south Sal Cinquemani felt that "Madonna has revealed more than of herself than ever [in Music]. No longer shrouded with pedantic spirituality, she has become even more human [...] revealing her soul on 'What It Feels Similar For A Girl'".[35] However, on his review of GHV2, Cinquemani felt the track was "largely lost amid the conventional sonics of Music 's terminal single" and chosen it that compilation's to the lowest degree dynamic offering, giving a C– rating.[36] Eric Henderson, from the same magazine, wrote that "occasionally, and only occasionally, Madonna's achieve exceeds her grasp. "What Information technology Feels Like for a Girl" is one of those cases. Its intentions feel more than fully fleshed out in the controversial music video than they exercise in the song itself".[37]

Nathan Smith from Houston Press opined information technology was "one of the realest and most mature vocal performances of her career as she gently explores the double standard faced by ambitious women".[38] From Gay Star News, Joe Morgan called information technology a "clear reminder that Madonna can write some incredible lyrics".[39] Writing for Entertainment Weekly, journalist David Browne relegated the track as "an older, wiser 'Into the Groove'", highlighting its "softly padding crush and genuinely empathetic lyrics".[40] Q magazine'south Danny Eccleston picked it equally a standout rail, claiming it had "the vaguest melodic echo of Basement Jaxx's terrific 'On & On'".[41] Cynthia Funchs of PopMatters picked the vocal every bit her favorite on the album, calling it "outstanding" with "sweet, enchanted beats".[42] Eamon Sweeney of Hot Press, establish it similar, in tone and texture, to Natalie Imbruglia's 1998 unmarried "Smoke".[43] Jon Pareles of The New York Times chosen it "Madonna'southward quasi-feminist statement".[44] Rolling Stone 'southward Barry Walters called information technology "every bit musically gentle as it is lyrically barbed".[45]

Garry Mulholland of The Guardian, praised its "melancholy temper and ambiguous air".[46] Also from The Guardian, Maddy Costa thought that the track was "exquisite", adding "on 'What It Feels Like for a Girl' you feel is the Madonna of former, talking near beingness a pop bitch and making you tingle even with its hackneyed lyrics".[47] Writing for Billboard, Larry Motion picture hailed information technology "a hook-laden midtempo jam [...] that should give the Britney/Christina generation of teenage female person listeners a little nutrient for thought", highlighting its "motherly, nurturing perspective".[48] Besides from Billboard, Chuck Taylor named it "ane of the more substantive – and mature – musical ventures of [Madonna's] career", while panning its remix version for "reduc[ing] the song to a mindless trickle of beats without any hints of the verses".[14] Alex Pappademas from Spin, pointed out that the song "flaunts the sexiest synth shimmer this side of [Aguilera'south] 'Genie in a Bottle'".[49] The Village Voice 's Phil Dellio institute the song to be "the perfect answer tape to [the novel] The Virgin Suicides (where boys indeed stand on the side of the street looking uncomprehendingly towards girls)".[23] On a more critical note, Medium'southward Richard LaBeau opined that "with better product it could accept been a true classic".[50] Online mag Queerty felt the Spanish version, "Lo Que Siente la Mujer", was "an effort, we presume, to prove she tin speak Castilian, damn it! Or at least memorize enough words to audio like she speaks Spanish".[51]

Accolades [edit]

While listing "The 100 Greatest Madonna Songs", Louis Virtel from The Backlot ranked "What It Feels Like for a Girl" at number 45, saying that "its tenderness and power resonated like no Madonna carol since 'Take a Bow'".[52] In 2013, Scott Kearnan of Boston.com included it at number 26 on his list of "30 Ultimate Madonna Singles"; he wrote that "Madonna's covered enough of ground about how women are treated in the world, but she's rarely this unfiltered".[53] The same yr, Edward Cheung from PopMatters ranked information technology as the 6th all-time production by Guy Sigsworth, writing that "an excellently placed spoken word sample (delivered by Charlotte Gainsbourg) and a keening synth line immediately set up the tone for Madge'south runway as fashionably lonely".[22] Matthew Jacob's from The Huffington Post ranked the runway at number 51 on his list "The Definitive Ranking of Madonna Singles", pointing out its "meaningful lyrical achievement".[54] While ranking Madonna'due south singles in award of her 60th birthday, in August 2018, Jude Rogers from The Guardian placed the rails at number 37 and wrote that "it sounds similar a Saint Etienne song accidentally covered by a superstar".[55] Entertainment Weekly 'due south Chuck Arnold chosen it "ane of Madonna's creative peaks" and her "almost underappreciated" release; he listed it as her 14th best unmarried.[56] In 2019, Samuel R. Murrian from Parade ranked information technology at number 16 on his list of the vocalizer's 100 greatest songs: "Lyrically barbed only sonically soft, one of Madonna'southward most radical tracks explores the brutality of being a woman in a man's world. [...] Though it was recorded nearly 2 decades before the #MeToo move, this track feels like an anthem for it. Madonna was, and is, ahead of her fourth dimension".[57]

Chart operation [edit]

"What It Feels Like for a Girl" debuted at number 73 on the US Billboard Hot 100 chart of May 5, 2001, and moved to number 46 the post-obit calendar week, becoming in the biggest spring of that calendar week.[58] The release of the DVD unmarried, CD maxi and 12-inch vinyl prompted the song to debut at number xv on the Hot 100 Singles Sales chart with half dozen,600 copies (majority being from the DVD single).[59] The song peaked at number 23 on the issue dated May xix, 2001, becoming that week'due south greatest gainer in sales.[60] The same week, information technology also reached the top of the Dance Society Songs nautical chart.[61] At the year-end ranking for 2001, the song placed at number 24 on Trip the light fantastic toe Club Songs.[62] According to Madonna's official website since only a maxi unmarried was released commercially, it hindered the chart placement on Billboard Hot 100.[28] In Canada, the song debuted at number xiv on the Canadian Singles Chart, and reached a summit of number ii after two weeks afterward.[63] [64]

In Australia, "What It Feels Like for a Girl" debuted and peaked at number six on the ARIA Charts, on May six, 2001, and was present in the acme-50 for nine weeks, and was ranked number 84 on the year-end placements.[65] [66] The track also reached the top of the Australian dance charts.[67] It was certified Gilt by the Australian Recording Industry Association (ARIA) for shipment of 35,000 copies of the unmarried.[68] The song debuted at number l on the New Zealand Singles Chart, and reached a peak of number 15 after six weeks.[69]

In the United Kingdom, "What It Feels Similar for a Daughter" managed to get the 3rd song from Music to peak inside the acme-ten, reaching number 7 on April 28, 2001.[70] According to the Official Charts Company, information technology has sold 86,771 copies in the country as of Baronial 2008.[71] The song was successful across Europe, reaching the top-10 of the charts in Denmark, Finland, Italy, Netherlands and Spain.[72] [73] However, in some countries, "What It Feels Similar for a Girl" failed to accomplish the superlative-20. In Austria and Sweden, the song reached numbers 26 and 22, respectively, becoming her lowest-charting single since "Zilch Really Matters" (1999) in both countries.[74] [75] In France, the song debuted and peaked at number 40 on the French Singles Chart, and descended rapidly.[76] The track managed to reach the top-ten of the European Hot 100 Singles chart, reaching number eight on May five, 2001.[77] It was also the about played song on European radios, holding the top position for five weeks.[78]

Music video [edit]

Background and synopsis [edit]

Guy Ritchie in a blue coat looking to the right.

The music video was directed by Madonna's then-husband Guy Ritchie (pictured in 2017)

In February 2001, English filmmaker Guy Ritchie, Madonna's and so husband, said that they were planning to piece of work together on her new music video; "creatively, we like the same sort of things, so it just makes sense".[79] 1 calendar month subsequently, Madonna revealed to Ingrid Sischy that the video would be for "What Information technology Feels Like for a Girl", which she constitute "ironic because [Ritchie]'south such a manlike man, and his movies are so testosterone-driven, but I asked him a long time ago what vocal on the album he responded to the most, and that's the one".[ten] Filming took place in Los Angeles, including on the Olympic Boulevard. According to Madonna she portrayed a "nihilistic pissed-off chick" in the prune, doing things that girls are by and large recommended against. The video did not characteristic the original version of the song but the Above & Beyond remix since the singer "wanted a matching visual to it and an edgy dance mix".[lxxx]

The prune starts with the singer in a motel room getting set to become out, her pilus is straight, chin length and parted down the middle.[81] She so hot-wires a yellow 1978 Chevrolet Camaro from the parking lot, with the license plates reading "Pussy" and "Cat" on the front and dorsum, before driving to the "Ol Kuntz Guest Home" to pick up a semi-catatonic elderly woman.[82] At a traffic low-cal, they terminate next to a car with iii immature men who make lewd gestures at them, which prompts Madonna to spin her car around and collide them.[83] She parks at an ATM, tasers a man and steals his coin, and subsequently gives information technology to a waitress at a burger place.[82] [84] The singer continues to drive in front of a police car and squirts water on the face of ii policemen from a false pistol before driving backwards into their automobile.[82] She and then mows down a pack of street hockey players before stealing a red muscle car from a gas station where an attendant fills its tank, spilling gasoline all over the pavement. Madonna so throws a lighter out of the window causing an explosion, all while nevertheless accompanied by the sometime adult female.[82] The final shot depicts her slamming the stolen car caput-on into a telephone pole in an apparent act of murder–suicide.[83]

Release and banning [edit]

Refer to caption.

Nevertheless from the music video, depicting Madonna aiming a water gun at a cop. Next to her is the elderly woman she picks up from the "Ol Kuntz Invitee Home".

Upon release, the video was criticized for its trigger-happy content. Music channels MTV and VH1 said that it would not exist added to their regular US rotation and would air information technology just once, during a news segment, before being completely banned.[85] This was Madonna's third video to be banned past the aqueduct, following "Justify My Love" (1990) and "Erotica" (1992).[84] "What It Feels Like for a Daughter" aired on March twenty, 2001, at 11:30 pm, post-obit an introduction by MTV News anchor Kurt Loder.[82] Liz Rosenberg, Madonna's publicist, released a argument urging the channels "to make a very strong delivery to playing this video [...] in that location are many other possibilities that we can explore merely our commencement choice has always been for VH1 and MTV to play [the video], and more once".[86] In 2002, the video was aired in its entirety on MTV2 every bit function of a special countdown of the year'southward most controversial videos.[87]

Three days subsequently, the prune was shown several times on Oxygen as office of its "Daily Remix" music series.[88] A spokeswoman for Oxygen said that the decision to air the video multiple times was considering "our demographic is of xviii–49 year quondam women [...] older than MTV's". Canadian music channel MuchMusic followed and aired the video several times throughout the solar day and dark.[89] Norm Schoenfield, U.s.a. VP of programming for MuchMusic, released a argument saying "[the video] is no more than or less violent than what kids meet on TV everyday. We weren't offended by it, and treating it just similar any other Madonna video. Just because MTV isn't playing it, doesn't mean we tin can't". Schoenfield likewise criticized the decision of releasing an advisory warning aslope the video because "information technology's the artist's responsibility to do that". Still, other Canadian networks aired it just later on 9 pm accompanied past a warning.[89] At that place were also talks of airing the video on HBO merely it never happened.[86] [89]

Post-obit the controversy with MTV, Warner Bros. Records signed a deal with AOL to air the video online on its music forums. "Our task as a record company is to get exposure for the video, Then when the label couldn't get Viacom to commit to showing the video, it started talking to other outlets", explained Rosenberg.[xc] On Apr 24, 2001, the video was released as a DVD unmarried with the disc having linear PCM audio quality.[91] It debuted on Billboard 'due south Summit Music Video sales nautical chart at number ii with 6,200 copies sold, the highest sum for a DVD unmarried since Madonna's clip for "Music", which had sold four,200 copies in September 2000.[59] [92] The prune was afterward included on Madonna'due south 2009 compilation, Celebration: The Video Collection.[93] [94] Regarding the violent content, Madonna said that her intention was to "brand people enquire questions and open up dialogues".[91] Rosenberg explained to New York Daily News that the clip told the story of a woman who had probably been abused, and called information technology a "kind of an anti-violence moving picture. I can't imagine anyone would want to duplicate it". The apparent suicide at the stop had references from Greek mythology, according to Ritchie.[86]

Reception and analysis [edit]

David Bianculli from the New York Daily News felt that "Madonna has always kept her videos and images at least as fresh as her music. 'What It Feels Like for a Daughter', though, is a bad attempt to chase attending past promising controversy".[82] Similarly, Billboard 'south Carla Hay ended that the video did not alive upwardly to its hype.[89] George Lang from The Oklahoman, called information technology as the singer's worst clip and criticized Ritchie's directing abilities; "he has great visual sense, simply his work often is lacking depth. Both his asset and his debit were in ample bear witness in [the video]".[83] Entertainment Weekly 'southward Nicholas Fonseca gave the video a rating of C and opined that "Thelma and Louise it own't. In fact, little girls can probably find more empowerment copying Britney Spears' provocative chair dance from her 'Stronger' video". But he criticized MTV's decision to ban the clip when they aired much more violent videos on the aqueduct.[81] Eden Miller from PopMatters echoed this sentiment, adding that MTV aired videos such every bit Eminem's "Stan", in which the main character drives his automobile off a bridge with his meaning girlfriend tied up in the trunk, or Robbie Williams' "Rock DJ", in which the singer strips his pare off in graphic detail. Miller relegated the banning due to Madonna being a adult female "and the idea of a woman taking her assailment out on men is something the network can merely not accept. That's what is so agonizing. And that really is what it feels like for a girl".[95]

Writing for the San Francisco Chronicle, Neva Chonin accused the video for being a marketing ploy and believed that the vocalizer knew it would result in controversy and bulldoze sales among the publicity. Nonetheless, she praised it for existence a follow-up to Madonna'south aesthetics and changing of her looks from her early career. Chonin realized that by making the violent video, Madonna proved the song's concept further by making a girl bear violently in identify of a boy.[84] Louis Virtel from The Backlot ranked it as the singer'due south 12th greatest video, calling information technology "the ultimate (read: solely tolerable) Madonna/Guy Ritchie collaboration [...] She'due south both chilling and totally confident. It'south her most frightening performance in a music video, and when she plows that car into a grouping of strangers, her stoic response makes for her greatest video moment of the 2000s".[96]

Andrew Morton opined that the video was "entirely consequent with the themes [Madonna] has been exploring for the last twenty years, namely the relationship betwixt the sexes, the ambivalence of gender, and the unresolved conflict, for women in a patriarchal society of being fully female person and sexual while exercising control over their lives".[97] According to Santiago Fouz-Hernández and Freya Jarman-Ivens, authors of Madonna'due south Drowned Worlds, the video represented the female fantasy of behaving like a "bad boy" and doing things associated with men. They pointed out the scene in which Madonna winks at three men at a traffic light but earlier crashing their car, as they felt that on this particular shot she was "turning the tables of violence dorsum on the men for whom such beliefs is considered normal and putting them on the receiving end of violence, a position normally reserved for women".[98] They noticed that unlike previous Madonna videos which were banned for religious themes or sexuality, MTV constitute violence as an offence. Even using the remix in the clip changed the song's feminine and bittersweet nature to something faster and harder, adjectives usually reserved for boys. The authors concluded that as always, Madonna inverted the traditional roles and characterization of male and female in the clip.[98]

Alive performances and embrace version [edit]

Madonna in a black dress atop a sloping structure, with her dancers below.

Madonna performing "Lo Que Siente la Mujer", the Spanish version of "What It Feels Similar for a Daughter", during the Drowned World Tour (2001).

"What Information technology Feels Like for a Girl" was performed on the promotional concerts for Music in Nov 2000 at New York City's Roseland Ballroom and at London'south Brixton Academy.[99] [100] On New York, Madonna dedicated the song to singer Britney Spears, while wearing a tank top with Spears' name printed on it.[99] [100] For the London performance, she wore a different top imprinted with the names of son Rocco and daughter Lourdes.[101] Around 3,000 fans attended the concert in London, which was streamed over the internet. More than nine meg people watched the concert co-ordinate to Nicky Price, a representative for Microsoft'south MSN, the webcast'southward producer.[100] Information technology became the virtually-viewed webcast of all time, chirapsia Paul McCartney'due south functioning of "50s rock and roll classics" at Liverpool's The Cavern Club in December 1999, which was viewed by an audition of about three million.[100] [102]

For the Drowned World Bout of 2001, a remix of the rail was used as a video interlude. Dancers wearing anime and manga inspired costumes swung from wires in a Japanese-inspired sequence every bit the backdrops featured scenes of a naked girl being pursued, trapped and sexually abused. The clips were taken from Satoshi Kon's 1997 film Perfect Blue interspersed with footage of the hentai anime Urotsukidōji.[44] [103] [104] Writing for MTV News, Rob Mancini opined that the interlude video "upped the [show'due south] grim factor further".[105] On that same bout, Madonna performed the Spanish version of the song, "Lo Que Siente La Mujer", atop a rotating blackness leather podium, dressed in blackness trousers and a backless black blouse.[105] The female person dancers were decked in masculine attires while the male dancers wore long wigs and corsets. Academic Georges Claude Guilbert, author of Madonna Every bit Postmodern Myth, praised the performance for its "gender-bending and further sense of ambivalence" while Sal Cinquemani from Slant Magazine found it to be "anticlimactic".[104] [106] The operation on August 26, 2001, at The Palace of Auburn Hills, outside of Madonna'south hometown of Detroit was recorded and released in the live video album, Drowned Globe Bout 2001.[107]

In 2010, "What Information technology Feels Similar for a Daughter" was featured in an episode of American television series Glee, called "The Power of Madonna". In the episode it was performed by actors Cory Monteith, Kevin McHale, Chris Colfer, Marking Salling, Harry Shum Jr. and Matthew Morrison.[108] [109] The vocal was released as digital download to the iTunes Store, and was also included on the soundtrack EP, Glee: The Music, The Ability of Madonna.[110] It charted at number 125 on the UK Singles Chart.[111] In his review of the soundtrack, Fraser McAlpine from BBC News felt that "the decision to get all the boys to sing 'What It Feels Like for a Girl' is inspired, and represents a genuinely powerful musical moment that doesn't demand the tv set show's plot to get in wing".[108]

Track listings and formats [edit]

Credits and personnel [edit]

Credits adapted from liner notes of 12-inch single.[121]

Direction [edit]

  • Recorded at Sarm West Studios, Notting Colina, London
  • Mixed at Olympic Studios, London
  • Mastered at Metropolis Studios, London
  • Webo Girl Publishing, Inc., Warner Bros. Music Corp (ASCAP), 1000 Lights Music Ltd, Warner-Tamerlane Publishing Corp. (BMI)

Personnel [edit]

  • Madonna – vocals, songwriter, production
  • Guy Sigsworth – songwriter, production, guitar, keyboards, programming
  • Marking "Spike" Stent – production, mixing, mastering
  • David Torn – songwriter
  • Kevin Reagan – art direction, design
  • Matthew Lindauer – pattern
  • Ray Janos – lacquer cut
  • Jean-Baptiste Mondino – photography
  • Caresse Henry – management

Charts [edit]

Certification and sales [edit]

See also [edit]

  • List of number-one singles of 2001 (Spain)
  • Listing of number-one trip the light fantastic singles of 2001 (Commonwealth of australia)
  • Listing of number-one trip the light fantastic singles of 2001 (U.Due south.)

References [edit]

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Book sources [edit]

  • Arena, James (2017). Stars of 21st Century Dance Pop and EDM: 33 DJs, Producers and Singers Discuss Their Careers. McFarland & Company. ISBN978-1-4766-7022-5.
  • Folkard, Claire (2002). Guinness Globe Records 2003 . Guinness World Records. ISBN978-i-892-05117-2.
  • Fouz-Hernández, Santiago; Jarman-Ivens, Freya (2004). Madonna's Drowned Worlds . Ashgate Publishing, Ltd. ISBN978-0-7546-3372-3.
  • Guilbert, Georges-Claude (2002). Madonna as Postmodern Myth: How One Star's Cocky-Construction Rewrites Sex activity, Gender, Hollywood and the American Dream. McFarland. ISBN978-0-7864-1408-vi.
  • Hawkins, Stan (2012). Popular Music and Like shooting fish in a barrel Listening. Routledge. ISBN978-0-7546-2952-8.
  • Morton, Andrew (2002). Madonna. Macmillan Publishers. ISBN978-0-312-98310-ix.
  • O'Brien, Lucy (2008). Madonna: Similar an Icon. Runted Press. ISBN978-0-552-15361-4.
  • Rooksby, Rikky (2004). The Complete Guide to the Music of Madonna . Omnibus Press. ISBN978-0-7119-9883-4.
  • Steiff, Josef; Tamplin, Tristan (2010). Anime and Philosophy: Wide Eyed Wonder. Open Court. ISBN978-0-8126-9713-1.

External links [edit]

  • "What It Feels Like for a Daughter" at Discogs (list of releases)

houstonpleaus.blogspot.com

Source: https://en.wikipedia.org/wiki/What_It_Feels_Like_for_a_Girl

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